The short form is that I'm a creative strategist who gets hired to help companies think differently and creatively about the wicked, messy problems they have. These might be large logistics projects that are derailing, anything to do with innovation or culture, issues such as branding or diversity or customer centricity, or basically any time there are a bunch of people butting up against each other and their systems trying to get something useful done, or trying to find a new way to be and think.
I do this by consulting , training and coaching, and giving keynotes and other presentations.
I'm an artist and a business strategist, so my main interest is in the space where creative process and business coincide. All businesses are the result of a creative process, but the bigger they get the more they focus on systems, predictability and efficiency--a production rather than a creative model. Which works in some areas, but rarely in the areas that matter most. The fuzzy ones like culture and leadership, or innovation and change. The ones that involve people and their beliefs, behaviours, emotions and desires.
For these you need to get creative. Which is often easier said than done. And while some people feel comfortable with it, with the inherent mess and ambiguity and subjectivity and fluidity, many if not most feel either totally at sea or downright terrified of it. So I have a number of ways in, depending on where people are at.
I do this by consulting , training and coaching, and giving keynotes and other presentations.
I'm an artist and a business strategist, so my main interest is in the space where creative process and business coincide. All businesses are the result of a creative process, but the bigger they get the more they focus on systems, predictability and efficiency--a production rather than a creative model. Which works in some areas, but rarely in the areas that matter most. The fuzzy ones like culture and leadership, or innovation and change. The ones that involve people and their beliefs, behaviours, emotions and desires.
For these you need to get creative. Which is often easier said than done. And while some people feel comfortable with it, with the inherent mess and ambiguity and subjectivity and fluidity, many if not most feel either totally at sea or downright terrified of it. So I have a number of ways in, depending on where people are at.